Here are some images of new pieces in my colored clay series that I plan to enter in an upcoming contest. I also lost two large vases that cracked from heat stress in the firing, “haste makes waste.” I typically fire up at 400 degrees/hr with no problems but these large pieces were too close to the burners.
Colored Clay teapot project
- Cutting colored clay block with spacers and wire
- Peeling off the colored clay slice
- The slice, original size
- Thinning the slice on the slab roller. Any gaps in the design will fill in at this point.
- Applying slip to backing slab.
- Rolling the colored clay onto the backing slab.
- Expanding slab on the slab roller. Heliconias in the background.
- Round pieces are cut and shaped over a bisque bowl.
- Taking a break to unload a small kiln of new work.
- Teapot body pieces ready for joining.
- Constructing one of the legs.
- finished legs.
- Attaching the legs.
- Assembled spout and pattern.
- Assembling the teapot.
- Finished teapot ‘A’ side. Total time, around 10 hours.
- ‘B’ side
A new challenge
Colored clay bowl cracked while drying
There are always challenges in ceramics, an endless learning. With colored clay you must consider the compatibility, drying and shrinkage of the various clays involved. This is a test piece using Laguna’s ‘Frost 10′ body. Another one just like it survived drying and two cups out of 6 also cracked. My best guess is that the layered, highly compressed clay needs to be dampened and wiggled as it’s shaped to relieve tension in the clay particle matrix. Drying upside down to speed shrinkage in the bottom is also an idea.
Here are a couple of cups from the same series, thin multi-layered colored clay. I love the visual complexity, clarity, and intensity of colored clay design. In 25 years of making pots I’ve never felt this way before, I’ve found my “thing.”
Are we having fun yet?
I couldn’t resist this picture of Malone goofing at the studio. I just figured out how to put pictures up after several failures. Now on to pottery























